Sarrin is a tray shaped by subsidence — a vessel formed through controlled collapse, where symmetry gives way to softened tension. Its surface folds downward like cooled liquid or pressed earth, a chaotic gesture held still by its own weight.

Inspired by the decay patterns found in geologic and biological systems, the piece captures the moment form yields to pressure. It is neither petal nor plate, neither natural nor sculpted — but something in between.

Sarrin is not a surface for display, but a site for containment. A recess for objects. A terrain for rest. A spatial echo of structure unraveling with grace.