Alvia emerges from a 4D Bouali attractor — a chaotic system reinterpreted as form. The result is skeletal but not figurative, anatomical but not literal: a chambered structure grown from rotational feedback and divergence.

Its curvature suggests vertebrae, its posture almost upright — a presence that feels biological, computational, and architectural at once. The internal voids are not ornamental; they carry pressure, tension, and breath.

Alvia doesn’t simply contain. It holds the imprint of the system that made it — like a fossil of motion, or a bone cast in algorithm.