Lyapse is a café table shaped by imbalance — a structure traced from the chaotic logic of the Hadley attractor system, where stability never quite resolves. Its form emerges from simulation: a slow rotation, a thermal asymmetry, a loop that folds inward and then breaks away.

At its base, the geometry compresses — thickened, grounded, almost tectonic. Toward the surface, it stretches and lifts, like a rising current disrupted by shear. The silhouette is low and wide, composed yet off-axis, balanced but never symmetrical.

Lyapse captures that moment where a system tips — not into collapse, but into new coherence. Printed in granular composite, it sits as both object and equation: a quiet register of turbulence, rendered still.