Artwork 2: How to Circle Forward in Time? This moving-image work captures a methodology — a way of re-entering history through loops of projection, rupture, and renewal. Using Berlin’s Tempelhof Airport as its locus, the sequence unfolds as a recursive, fractal system of memory — endlessly remixable, infinitely expanding.The film begins with the city in its totality, then draws us deeper: through shifting epochs, collapsing centuries into seconds, and finally into the intimate scale of archaeological debris scattered over time. Archival photographs, AI-generated reconstructions, and image-to-model interpolations bleed into each other, producing unstable thresholds between past, present, and speculative future. This is not a chronology but a conditional chain of image-triggered realities — one path leading to memories of oppression, another to visions of collective refuge. In collapsing linear time, the work reframes the city as a crystalline structure of temporal layers: a media construct where history is never fixed, but perpetually reconfigured. Through this, the project enacts a circling forward in time—a process where history is not revisited in linear return but re-entered as a loop of projection, rupture, and renewal.